COPE | Continuum
COPE | Continuum
July 6 – July 27 2024
Artist: Elizabeth Cope
COPE | Continuum is an exhibition by Elizabeth Cope, taking place in Claremorris Gallery from July 6th to July 27th. Gallery hours 1 – 6pm Wednesday to Saturday
The show will present new large-scale paintings by the artist, exhibited alongside significant works from Cope’s expansive career, which spans more than fifty years. Continuum embodies a seamless flow between various artistic phases, with each piece standing alone in its significance, while contributing to a broader narrative that connects past, present, and future creations.
Through Cope’s varied body of work runs a thread of vibrant expression and vigorous exploration, weaving through multiple periods and styles, maintaining consistent engagement with personal and universal themes. This continuity is here again in her large-scale new paintings; a natural progression of earlier key works. Each painting is a snapshot of a moment in Cope’s irrepressible visual voyage of discovery, which circles with adventure, and always returns to the core of her creative inquiry; struggle. Continuum underscores Cope’s unwavering exploration of the human condition, the natural world, and above-all a deep love of paint.
In the artist’s own words, “Like many of the artists I admire I begin with a struggle. Without the struggle occurring in making a painting, I feel that the process of trying to paint is not wholly alive. It is the struggle that counts. In painting there is no resolution; it is an ongoing act.”
Each carefully placed piece in this exhibition enriches and is enriched by the next giving us a comprehensive representation of Cope’s creative journey to date.
COPE | Continuum opens at Claremorris Gallery on 6th July and runs until 27th July and thereafter by appointment.
Gallery hours 1 – 6pm, Wednesday to Saturday or by appointment.“I paint through the chaos of everyday life, if I were to wait for a quiet moment I would never paint. I believe that painting should also be like dancing and that the real ‘work of art’ is not so much the canvas when the paint is dry, but rather the physical rhythm of the process of painting it.”